摘要
文学美学是一种美文字感性学。个体人的感觉多样性和不同时空中形成的文化代码多样性 ,是人类世界美文字之间差异性的根由。文学这门艺术在当今势不可挡的“全球化”浪潮中仍可持其形形色色、气象万千之缤纷 ;科学、经济甚至社会某种程度的“全球化”与美学 (感性学 )在本质上并非成正比地同步演化。在绝对意义上 ,作为感性学的美学之“全球化”,“普同化”都是不可能的。
Literary aethetics is the study of perceptiveness to the beauty in language, The diversity in individual perceptiveness and the diversified cultural codes developed in various time and space constitute the root of the otherness in human production of literary works. In today's overwhelming tide of globalization, literature, as one form of art, maintains its verified forms and pluralistic colouring. Science, economy and globalization to a certain extent, will not, by nature, develop in direct proportion with perceptive aesthetics toward uniformity. In the absolute sense, it is impossible for aesthetics to be globalized or to become universally identical.
出处
《武汉大学学报(人文科学版)》
CSSCI
2001年第6期675-682,共8页
Wuhan University Journal (Humanity Sciences)