研习《声调谱》,轻松标格律

Study Tune Chart, Indicate Rules and Forms of Classical Poem Easily

欣赏或创作近体诗,当然要能够标明近体诗的格律,并运用格律要求去创作。历来讲格律的书,不是太简单,如“一三五不论,二四六分明”,就是太繁复,如王力先生的《汉语诗律学》。其实只要研习一下清人赵执信的三卷《声调谱》,从中总结规律,就可以用很短的时间学会近体诗的格律,并轻轻松松地标出格律进而较纯熟地运用它。

In enjoying or writing the Tang Dynasty “modern style” poetry, it is certain that the rules and forms should be indicated definitely, and we should also can use these rules and forms to write new ones. All books on metrics are either too simple, that is, the first, third and fifth characters do not matter, while the second, fourth and sixth must be clear in rules and form of poems, or too complicated as in Wang Li’s Chinese Metrics in Poems. In fact, if we study Tune Chart by ZHAO Zhi-xin of Qing Dynasty, conclude the rules and forms, we can learn these rules and forms of the Tang Dynasty “modern style” poetry in a comparatively short time, and indicate them easily and utilize them smoothly.