论悲剧人物

On the Figure of Tragedy

直到马克思、恩格斯 ,悲剧人物论的主流是 :悲剧人物是有缺陷有过失的人物而不是完美人物 ;人格分裂导致他行动变异、性格矛盾 ;牺牲于正面敌人暴力下的不是悲剧人物。《红灯记》不是“大悲剧”。 80年代悲剧创作更具有美学的自觉性。

Until Marx and Engels , the mainstream of tragedy figures had been that tragedy figure is either at flaw or fault rather than in perfect state; personality disintegration had led to his abnormal behavior and contradictory character; those who sacrificed themselves under the frontal attack of enemy had not been tragedy figures. The Peking opera entitled A Red Signal Lamp is not a major tragedy. In 1980's, tragedy creation owned more aesthetic consciousness.