历代赋集与赋学批评

Anthologies of Fu and Criticism of Fu in Ancient Chinese Literature

中国古代文学批评有一明显的现象，即评论家往往 通过对作品的整理以表达其批评思想，作为文学批评分支的赋学批评也不例外。历代赋论家 编纂了大量的赋总集、选集、别集（专集），尤其是到清代，赋集编纂风气炽盛，成果汗牛充 栋，成为中国文学史与批评史上均值得重视的现象。从史学观来看赋集的编纂，表现出与古 代赋学批评同步发展的情形，而从批评观来看，则赋集编纂也包括了赋的文体性质、赋创作 分类、古赋与律赋、赋作家群体研究以及对赋话产生之影响等丰富的理论内涵。

It is an obvious phenomenon in ancient Chinese literary criticism that critics o ften express their critical thoughts through compiling literary works. This is a l so true in the criticism of Fu. Critics of Fu in ancient China compile numerous c ollected works and selected works of Fu, especially in the Qing Dynasty. The compiled works of Fu in the Qing Dynasty are so numerous that they should b e regarded as an important phenomenon in Chinese history of both literature and l iterary criticism. From a historical point of view, the compiling of Fu manifest s a synchronous development of criticism of Fu. From a critical viewpoint, the co m piling of Fu itself includes abundant theoretical content of Fu, i.e., the style , classification, study of the writer-groups, ancient style Fu, rhymed Fu, and i ts influence on “Fu Hua” (a form of criticism of Fu).