摘要
抗战胜利后,国民党政府继续实行全国统一的强制 性电影检查制度,其内容、体制和操作方式与战前基本相同,但也有若干变化。在战后一度 出现的政治缓和空气下,国民党对于电影检查的坚持仍不稍或减,可见国民党政权对电影这 样一种有着广泛影响力的大众艺术形式之特别关注与对待。战后国民党政府电影检查当局, 加强了对现实题材电影的检查,表现出对电影反映社会生活真实面的压制,这或为国民党政 权面对其统治危机时的本能反应。由于国民党政权在大陆统治的终结,作为国民党统治制度 一个组成部分的电影检查制度亦随之而告消亡。
The Kuomintang Nationalist Government continued t o impose nationwide film censorship after the War of Resistance Against Japan, basically the same as the regulations, organization and operation of the pre war system, accompanied by s om e changes. In the post war relaxed political atmosphere, the regime insisted on f ilm censorship, reflecting the great concern that the Kuomintang regime showed t o the film as a popular form of huge influence. The censorship authorities paid m u ch more attention to censorship of realistic films and suppressed films that refle cted the real life of society. It is an instinct reaction of the regime to its p o litical crisis . As the rule of the regime came to a close in China's Mainland in 1949, the film censorship system as part of its political system became extinct.
出处
《南京大学学报(哲学.人文科学.社会科学)》
CSSCI
北大核心
2001年第6期113-123,共11页
Journal of Nanjing University(Philosophy,Humanities and Social Sciences)