摘要
众多的研究者都强调诗歌的创作重在意境创造。本文认为 ,诗歌创作一开始就强调意境创造是抽象的、空洞的 ,诗歌的创作应是意象选择在先 ,意境完成在后 ,即起点在意象 ,终点在意境。由诗味到诗美 。
Most researchers share the view that artistic conception is the focus of poetry creation. In this article, the author argues that putting artistic conception at the center of poetry creation from its very beginning is only too abstract, too vague. Poetry writing should start with the choices of imagery, to be followed by the presentation of artistic conception. In other words, imagery is the start, while conception is the finish. The process of achieving the conception of beauty from the 'flavor' of poetry is in fact a process of materializing artistic conception out of poetic images.
出处
《盐城师范学院学报(人文社会科学版)》
2001年第3期70-74,共5页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)