摘要
本文从日本汉格律诗的发展进程和各期代表人物的诗作入手，分析了他们多能熟练地掌握诗律和入声字，并将日汉格律诗中的音读汉音、吴音分别归纳分类，对照《广韵》入声韵目，从而揭示出日本诗人熟练地辨别和应用入声字的精微所在。
The article examines the developing process of Japa nese rhythmical poems in Chinese style and the major poems of this kind. It also classifies and sums up the Chinese Han and Wu pronunciation in Japanese poems,contrasts them with the four tone rhythmical category of “Guang Yun”,explores Japanese poets, abilities to distinct and apply the four tone words.
出处
《开封教育学院学报》
2001年第3期26-29,共4页
Journal of Kaifeng Institute of Education
