摘要
和谐与意蕴是构成陶瓷艺术外形式美的两条最主要的规律。和谐是各因素之中的一种协调一致 ,在陶瓷造型中 ,和谐就是相互差别的线型或形体 ,其局部与整体关系的具体生动的结合过程。用贝尔的有意味的形式”来解读意蕴有可取之处 ,但也有不足。容格的集体无意识理论是对此不足的补充。中国传统美学对意蕴的诠释讲求形神兼备、含蓄隽永。陶艺工作者应该超越法度 ,把中华民族的这门古老艺术发扬光大。
Harmony and significance are two most important laws that make up ceramic art's exterior form beauty.Harmony is a kind of compatibility of the various factors.As far as the pottery's model is concerned,harmony is a conerete and vivid process that combines the different lines or shapes part with their whole.It is feasible to explain significance by Bell's “the meaning form”,but the explanation is not enough.And “the collective unconsciousness” theory created by Carl Gustar Jung remedy the defect.Chinese traditional aesthetics full of feelings of charm,pay more attention to the balance between an outer appearance and inner spirit.The ceramic artists should surpass the laws and explore constantly,carry forward the ancient art of Chinese nation.
出处
《陶瓷研究》
2001年第2期29-32,共4页
Ceramic Studies
