摘要
通过对跨世纪诗人陈宝琛在清末民国两个历史阶段“咏松”诗作的研究 ,剖析其思想倾向与艺术特色 ,以期从一个侧面对其作出不溢美。
The author of this paper approaches, from an objective perspective, the odes to pine composed by Chen Bao-chen at the end of the Qing Dynasty and beginning of the Republic of China; and probes into the value orientation and artistry of the poems.
出处
《福州大学学报(哲学社会科学版)》
2001年第4期109-114,共6页
Journal of Fuzhou University(Philosophy and Social Sciences)