咏物而不滞于物——论初唐四杰咏物诗的历史地位

Empathy in Odes: On the Historical Significance of the Odes By the Early Tang Quaternion

通过梳理我国古代咏物诗的发展线索 ,明确初唐四杰的咏物诗在继承屈原《橘颂》以来早期咏物诗托物寄兴、遗形写神的传统精神和表现手法的同时 ,改变了齐梁宫体诗著题写物、因袭模拟的陋习 ,展现了鲜明的时代风貌和刚健活泼的诗风 ,并从精神气骨上对后世咏物诗产生影响 。

This paper traces the development of the ode in ancient China back to The Ode to Orange by Qu Yuan, and then reveals the historical significance of the odes written by the Early Tang Quaternion, who inherited the tradition of alertness to objective correlatives and aesthetic insight, rejected the slouchy practice of imitation in the court poems of Qi and Liang dynasties, and established a fresh and vigorous style of poetry which always remains a source of great inspiration to poets to come.