摘要
《金瓶梅》的出现 ,标志着古代小说的发展已从传奇走向写实。作品把现实丑引进小说世界 ,在对丑的审美过程中将生活丑升华为艺术美 ;运用情境化和情理化描写 ,促使性格形态由传奇化典型向生活化典型迈进 ;采用“家庭—社会”型叙事模式和纵横组合叙事笔法 ,拓展小说描绘空间 ,这些艺术创新 。
The appearance of Jin, Ping and Mei marks a transition from legends to realistic writing in ancient novels. It depicts the realistic ugliness in the novel and achieved sublimation of ugliness to artistic beauty. Contextualization and rationalization in description made the characters changed from legendary to realistic. The “family --- society” narrative mode as well as the synchronic- diachronic technique of writing expanded the description space. These artistic innovations gave rise to profound changes in novel concepts.
出处
《湖北大学学报（哲学社会科学版）》
CSSCI
北大核心
2001年第4期72-76,共5页
Journal of Hubei University(Philosophy and Social Science)
