摘要
本文运用女性批评和原型批评文艺理论的观点 ,着重分析张艺谋农村题材电影 ,提出张艺谋通过女性视角来关注女性的生存状况 ,并用电影画面激活了“才子佳人”这一古老原型。其影片魅力是人类集体无意识和艺术家良知的结晶。
This paper aims to apply feminine and archetypal criticism to the analysis of films about the rural life directed by Zhang Yimou. It shows Zhang's great concern for the survival conditions of women. Furthermore, Zhang makes efforts to vivify an ancient archetype: talent and beauty. Thus the charm of his films lies in the combination of human collective unconsciousness with conscience of the artist.
出处
《南京理工大学学报（社会科学版）》
2001年第6期28-31,共4页
Journal of Nanjing University of Science and Technology：Social Sciences
