摘要
本文通过对元代声乐理论家燕南芝庵《唱论》中的气息理论的分析，论述了“十字气 论”的科学性。同时，结合现代声乐作品的实例分析，指出在今天声乐教学与声乐表演活动中发挥 这一运气理论指导作用的必要性和重要意义。
This article analyzes the breath theory in ChangLun, written by Yan Nan Zhi An, a theorist in breath in Yuan dynasty. It disserts the accuracy of 'Shi Zi Qi Lun'. Meanwhile, giving the Contemporacy vocal music opus for example, it points out that it is quite importantand necessary that follow this breath theory in Modern vocal music teaching and vocal music performance.
