摘要
闻一多在诗歌创作中强调绘画美,他所说的这种绘画美主要是指西方画中的色彩,是指诗人对色彩的高度敏感,这种色彩的把握,突破了一般绘画意义的视觉效果的局限,而被人格化的精神和情感,成为诗人的感情与意志的载体。
The beauty of painting emphasized in Wen Yiduo's poetry refers to the color in foreign paintings and the poet's sensitivity to color. By breaking with the restrictions made by common visual sense, Wen Yiduo masters the color as personified spirit and feeling, which become the vehicle for his feeling and will.
出处
《湖北广播电视大学学报》
2001年第3期80-83,共4页
Journal of Hubei Radio & Television University