摘要
八十年代以来 ,学术界对京派批评的研究取得了一定的成果 ,但是由于某种思维惯性的影响 ,对京派批评与京派文学思想的理解仍充满矛盾与困惑 ,本文着重分析了这些矛盾与困惑 ,认为应从“自觉的审美批评”这一理论前提出发 ,更深入完整地把握京派批评自身的审美文化逻辑。
Since 1980,academia have gotten some achievements on the study of Beijing School criticism,but because of the inertia of ideation, there is still lots of illogicality and puzzle in the understanding of the criticism and the literature theory of Beijing School.This treatise analyzes these illogicality and puzzle,and suggests that we have a thorough grasp of the Beijing schools aesthetic and culture logic on the premise of Self conscious Aesthetic Critic.
出处
《福建师范大学学报(哲学社会科学版)》
北大核心
2001年第4期56-62,共7页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
京派
二元对立
社会学维度
文学思想
文学批评
八十年代
Beijing School
duality contradiction
aesthetic dimensionality
sociological dimensionality
self conscious aesthetic critic