现象化与抽象化的两极对峙——张艺谋艺术倾向的美学分析

Stand Facing Between Phenomenon and Abstraction——Aesthetics Analysis of Zhang Yimou's Art Direction

张艺谋电影创作是中国艺术前沿发展状态的一种缩影 ,它的基本特征 ,是高度纪实与高度抒情的两极性 ,在美学上 ,可称之为现象化再现与抽象化表现两种审美方式的分裂对峙。作为现代艺术发展的一种规律性的美学现象 ,这种分裂对峙体现了中国艺术对狭隘封闭的古代审美理想的又一次突围 ,具有广阔的发展前景 。

ion. As one aesthetic phenomena of modern art developing regularity, this division and confronting embody rough breakout of Chinese art from narrow and limited and closed archaic aesthetic judgment ideal, it has wide developing foreground, represent the developing direction of Chinese art in the future.