摘要
鲁迅在他的小说中成功地刻划出了一批形象逼肖、意蕴深沉的女性形象。这些女性形象无论在人生境况中属叛逆者 ,还是属抗争者 ,抑或属屈从者 ,鲁迅都将其作为“人类以往全部历史的产物” ,艺术地再现了其内在性格特质、人生追求、生活目标的迥异 ,与外在个体命运的同一指归这一特殊人文现象 ,从而赋予这些女性形象以深层审美意蕴 ,折射出鲁迅先生对历史文化、伦理道德、社会现实的深刻批判意识和对特定文化语境造就的中国女性历史命运的深深忧患。
In his novels,Lu Xun successfully delinated various female figures of vivid images and profound implications.Lu Xun invariably viewed them as the products of the whole history,whether they had rebelled and resisted against their fate or yielded to it.Lu Xun artistically presented a peculiar social phenomenon in which the individuals were predestined to suffer from the similar fate in spite of the diversity of their characters,pursuits and life goals.He thereby endowed these figures with profound aesthetic implications which mirror his critique of social ethics and reality,history and culture and his worries about Chinese women's fate in a specific historical and cultural backcground.
出处
《海南大学学报(人文社会科学版)》
2001年第4期83-89,共7页
Journal of Hainan University (Humanities & Social Sciences)