摘要
《呼兰河传》作为萧红的代表作品 ,由于其创作时的复杂矛盾心态 ,而呈现出主题的多义性和矛盾性。一方面是启蒙式的深切的文明救赎 ,另一方面是意识到历史苦难本体后的无望、悲凉 ,是对巨大历史黑暗下的韧性生存的感喟。萧红主观上是想通过对麻木落后生活的展示达到国民性批判的目的 ,但又没有拘囿于理论观念 ,而是向生活深处挺进 ,趋向于对历史本体的接近 ,这就无形中形成了对启蒙主题的解构。本文通过对大泥坑和作品中人物形象的分析 ,揭示这一复杂的多层意蕴。
Being the representative work of Xiao Hong, The story of Hulan River has multiple implications because of the author's contradictory psychology: One side is redemption and enlightenment and the other is disappointment after being conscious of the historical misery, as a kind of emotional release out of clinging existence in huge dark history. Xiao Hong was not tied down by theory although her personal desire was to criticize the national quality through exposing the uncivilized life. The novel presses close to the depth of life and the history noumenon, so it imperceptibly deconstruct the theme of enlightenment. The article exposes the multiple meanings through analyzing the big mire and characters in the novel.
出处
《浙江师大学报(社会科学版)》
2001年第6期7-10,共4页
Journal of Zhejiang Normal University(Social Sciences)