摘要
田汉早期悲剧观念 ,既深受外来文艺思潮的复杂影响 ,又有自己痛切的人生体验与独特的美学个性 ,呈现出一种忧郁。
Tian Han's idea on tragedy in the early time of his creative life was influenced by the then sophisticated trend of thought in literature and art of the foreign countries combining with the painful life experiments of his own. Thus we have in his creations an unique aesthetic individuality presenting a kind of melancholy and heartsore aesthetic attraction.
出处
《南开学报(哲学社会科学版)》
CSSCI
北大核心
2001年第6期42-47,55,共7页
Nankai Journal:Philosophy,Literature and Social Science Edition