摘要
不仅由于时代的相近 ,陶渊明、谢灵运 ,这两个晋、宋之际最重要的诗人的名字 ,总是被联系在一起 ,对于他们的考察也因此而有意义。文章试图从三个方面探讨他们诗歌的相异之处 ;诗歌境界上“有人”与“无人”的对比 ;对自然景物“写意”与“写实”的不同描写手法 ;以及“情”与“理”的表现形态。这三个方面的探讨 ,尽管只是限于一个特定角度 ,但似乎仍能显现出陶、谢二人各自艺术成就差距的本质所在 ,也在某种程度上揭示出诗歌创作对于真生活、真感情的依赖。
Two most important poets Tao Yuanming and Xie Lingyun, living at the turning point of Jin and Song dynasties, are often discussed together. This paper tries to explore the differentia of their poetry from the following aspects:the contrast of the human world and paradise in their respective poetic states; their different ways of direct and indirect depiction of nature; their different expressions of 'emotion' and 'reason'. This exploration is confined in a special aspect, however, it still shows the basic distance of their artistic achievements and reveals the reliance of poetic creation on the true life and emotion in a sense.
出处
《廊坊师范学院学报》
2001年第1期34-38,共5页
Journal of Langfang Teachers College