摘要
“兴”作为《诗经》别具一格的表现手法 ,历来争议颇多 ,其关键在于对兴象本身的理解不够透彻明了。从鸟类兴象与宗族故国、鱼类兴象与生殖崇拜、草木兴象与爱情婚姻等三组固定套语中 ,可以看出某种兴象与“所咏之词”具有特定的内在联系 ,也与当时的民俗风情密切相关。
The unique skill of expressionimagesin 'The Book of Songs' attracts various disputes due to the various understanding of these images. Three groups of set images:the images of birds VS clansmen and native lands; the images of fish VS the worship of reproduction; the images of grass and trees VS love and marriage, reveal some special internal relations between the images and what is expressed, which also has close connection with the folk customs at that time.
出处
《廊坊师范学院学报》
2001年第1期39-41,共3页
Journal of Langfang Teachers College