摘要
学术意义上的马克思主义欲在新世纪获得活力 ,必须对所有命题进行当代转换。审美意识形态论这一传统命题的当代转换从现代中国的意识形态批判反思、马克思主义意识形态文本的重新解读、转型社会审美文化的意识形态阐释欲望三个方面肯定了其当代转换的可能性。一方面以这种当代转换去丰富发展意识形态论本身 ,另一方面以此揭示出当代审美文化的内在机制和可能走向。
Marxism in its academic sense has to undergo contemporary transitions in all its propositions in order to obtain vigor in the new century.The paper analyses the contemporary transition of a traditional proposition-the theory of aesthetic ideology,and confirms the possibility of the contemporary transition of the theory from three aspects:the reverse thinking about the animadversion on ideology of modern China,the re-unscrambling of the Marxist works on ideology,and desire of the transforming society for the ideolygical elucidation of aesthetic culture.The author wolds that the transition,can not only enrich and develop the ideology itself,but it can also reveal the intrinsic mechanism and possible tendency of the aesthetic culture at the present age.
出处
《湖南师范大学社会科学学报》
北大核心
2001年第6期27-33,共7页
Journal of Social Science of Hunan Normal University