能指与所指的错失和背离──析莎士比亚戏剧中福斯塔夫的喜剧个性

MISAPPROPRIATION AND BEWILDERMENT BETWEEN THE SIGNIFICANT AND THE SIGNIFIED──On Comic Personality of Fustaph in William Shakespeare's Drama

福斯塔夫是莎士比亚笔下最有名的喜剧人物之一。多年来深受人们的喜爱，甚至马克思恩格斯也把他作为分析现实主义文学的典型。但是，人们历来只看到福斯塔夫的喜剧性格本身，而对其性格的喜剧机制不甚关注。本文从文学符号学＂能指与所指＂关系出发，从福斯塔夫的语言、行动、信仰、肢体特征等方面，剖析福斯塔夫的喜剧个性，从一个侧面揭示喜剧性格的深层机制。

： Fustaph has been one of the most famous comic figures in Shakespeare's drama. He has been popular for many years, even Karl Marx and Engels had considered him as a typical figure in realist literature. But mang people only focus on Fustaph's comic personality all the time, and do not attend to developing the constitution of his personality. This paper has mainly analysed Fustaph's comic personality in the light of the relation between the significant and the signified, which will probe it in four dimensions: discourse, act, faith and physical characteristics, to analyse Fustaph's comic personality of the deeper developing constitution.