摘要
本文意欲突破 80余年来王国维艺术范畴研究之陈说 ,确认王国维用中西“化合”方法论和中国传统民族文艺美学之话语形式 ,建立起以“自然”为核心 ,以自然——境界——悲剧为三大主干范畴的艺术范畴系统。在这一系统的构建和诠释中 ,王国维于古代美学之心学传统和近代西方美学之唯心新学均取批判地吸收 ,并将二者融化一炉 。
This thesis tries to break through more than 80 years' common opinions on Wang Guo wei's art category research and expounds that, using unique methodology and adapting traditional Chinese national art easthetics' discourse type, Wang Guo wei established an art category system which took 'nature' as its core and nature realm tragedy as its three main streams.
出处
《华中师范大学学报（人文社会科学版）》
CSSCI
北大核心
2001年第6期61-67,共7页
Journal of Central China Normal University:Humanities and Social Sciences
基金
中华社科研究基金项目
