摘要
日本明治维新以后 ,以冈仓天心为首的革新画家成立了日本最早的美术学院 ;横山大观等画家在古典画风的基础上作品不断创新 ;京都画坛的画家以日本传统技法与西洋画写实的画风融为一体 ;青龙社推行会场艺术 ,主张绘画直接与人民大众接触 ;现代画家通过不断的改革创新 ,把浮世绘的美人画又发展到一个新的高峰。 6 0年代以后 。
After Meiji Reform, some innovative painters represented by Okakura Tenshin set up the earliest fine arts school in Japan and Yokoyama Oseki and other painters continued to make innovations in their classic painting styles. The painters in Kyoto combined traditional Japanese techniques with realistic Western painting styles and Seiryu Society advocated painters' close contact with the public. By continuing efforts, modern painters developed beauty painting to a higher level. After the 1960s, traditional techniques still occupied a leading position in Japanese painting.
出处
《东疆学刊》
2001年第3期55-57,共3页
Dongjiang Journal