莎士比亚与莫里哀典型观的三个基本区别

Three Basic Distinctions of Typicalities Between Shakespeare and Moliere

莎士比亚与莫里哀典型观的三个基本区别是 :前者是丰富复杂的 ,高度个性化的 ,发展变化的 ;后者是单一的 ,高度类型化的 ,凝固不变的。一个靠的是“复杂的单纯” ,一个靠的是“单纯的复杂” ,表面看来是南辕北辙 ,实际上是异曲同工。尤其是莫里哀对类型化典型答尔丢失伪善性格的“充分的立体化” ,对于今天我国民族戏曲的振兴 ,更具有一种不可忽视的借鉴价值。

This paper points out the 3 basic distinctions between the typicalities of Shakespeare and that of Moliere: the former is rich, complicated, highly personified and developing. The latter is monotonous, highly stereotyped and undeveloping. One is 'complicated simplicity' and the other is 'simple complexity'. They are seemingly discrepant but actually quite similar. The full cubic of Moliere's stereo type losing his hypocritical character can be well used for the reference for the all-round rejuvenation of Chinese opera.