对初唐诗歌革新理论的再认识

The Re-understanding of Revolutionary Theory of Poems in the Early Period of Tang Dynasty

初唐时期在诗歌理论上有了突破性的进展 ,但是 ,前人对初唐诗歌革新理论的认识还存在着某些误解和偏差。本文认为 :高宗、武后时期已基本肃清了浮靡轻艳的齐、梁诗风的影响 ,杨炯、卢藏用、王勃的有关文章与陈子昂的《修竹篇序》一样 ,都是讨伐齐、梁诗风的檄文。初唐诗风的转变 ,主要是诗歌内部矛盾斗争的必然 ,也是许多有识之士共同努力的结果 ;追求浓烈的情思和高昂的基调 ,倡导“风骨”、“兴寄”、“风雅”,正是矫正南朝诗风的正确途径。其实质就是主张诗歌创作应该密切联系社会实际 ,干预生活 ,干预政治。初唐时期的诗人在创作实践中不断完善了律诗这一形式 ,律诗在比“沈宋”略早的“四友”,特别是杜审言的手中已经成熟。

A dramatic breakthrough in the theory of poems was achieved in the early period of Tang Dynasty,which was mainly shown in the following aspects:1.the impact of the poem style in Qi and Liang Dynasty being basically smoothed away;2.the pursuit of stong feelings and high spirits;3.the advocacy of vigorous style,allusion and the style of 'the Book of Songs' and 4.the gradual improvement on the regulated verse in the practice of poem creation.