摘要
当许多诗人和评论家正在津津乐道关于诗的音乐感与韵律时 ,卡尔·桑德堡却默默地走着另一条路。他在短诗《雾》的创作中放弃了抑扬顿挫 ,没有引经据典 ,却以朴实的文字、单纯的意境 ,营造出一个神秘而寂静的幻象空间。
While a lot of poets and critics were interested in talking about the sense of music and rhyme scheme concerning poetry. Carl·Sandbuyg silently took a quite different approach toward this problem. In his poem 'Fog', he expressed a silent, illusionary and mysterious space in a plain language style instead of following the strict rules of scheming, nor did he cite quotations from classics.
出处
《西北大学学报(哲学社会科学版)》
CSSCI
2001年第4期134-137,共4页
Journal of Northwest University:Philosophy and Social Sciences Edition