走向民间苦难生存中的生命乌托邦祭——论《日光流年》中阎连科的创作主题转换

On the Sacrificial Rites of Utopia of Hard Life in Rural Living

当代作家阎连科《日光流年》一书的主题 ,由原来对乡土民间的理性批判让位于一种情感认同 ,并以其独特的主题意蕴在当代文坛上占据一个特殊的位置 ,然而却未免失之偏颇。在作品里被特别抽出来以体现作者对生命本真意义理解的民间生存意志 ,由于弱化了在作者以前的作品中也曾充分强调的理性分析 ,实际上只是演出一场由苦难民间做场景的轰轰烈烈的乌托邦祭。

The subject of Years Going with Sunlight created by the present writer of Yan Lianke have changed from a criticiaing rural society by reason to a praise by emotion which occupied a special position in the literature circles for its unique subject in ference. However, it is making for extreme views. In fact, the rural living scene which is especially taken out to reflect the author's comprihending of living essence demonstates a grand and spectacular scale sacrificial rites of Utopia, which is in a background of rural misery scene because it is avianized the reason analysis in author's previous emphasized works.