摘要
五四时代中西文化与文学的整合 ,确立了中国现代散文的审美特质 ,即源自人本主义的“自我表现”、文本哲学的“自我”本真以及作家“自我”人格之美。在中国现代散文中 ,自我表现的伟大地位、自我本真的文本哲学、人格审美的价值取向 ,永远为人们提供着无限宽广的审美空间。
During the times of May 4th,the aesthetic idiosyncrasy of Chinese modern essays was established with the integration of the Chinese and Western culture and literature.Three factors of Chinese modern essays,including the self-expression from humanism,the originally true self from article's philosophy,and the beauty of writer's self-personality provide an unlimited and wide aesthetic space.
出处
《扬州大学学报（人文社会科学版）》
2002年第1期38-44,共7页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
