摘要
回顾西方审美主义由古希腊到中世纪基督教神学再到现代社会的发展过程,以及各个时期的审美质态,可以见出审美文化永恒地自我颠覆的特征。生命的自律性演绎是审美文化形式变迁的根源;对生命形态的追诉,是审美文化自我颠覆的内在动力,由此可见生命形态对于审美文化的本体论意义。
Gazing back at the development process of western aesthetics from the ancient Greece to the Middle Age's theology and to modern society and an examination of the aesthetic state of the various periods reveal the eternal self-subversion of aesthetic culture. The evolution of the self-regulation of life is the source of the aesthetic forms. The search for higher life state is the internal force of self-subversion. Here is revealed the ontological significance of life state to aesthetic culture.
出处
《五邑大学学报(社会科学版)》
2002年第1期18-22,共5页
Journal of Wuyi University(Social Sciences Edition)