论丁玲、陈染小说的文化内涵

Of Ding Ling's and Chen Ran's Novels: Cultural Intention

丁玲与陈染的创作 ,在各自所处的时代均具有所谓“摩登”的文化素质。这种素质主要体现在 :自我的强调与张扬 ,性爱的自由与彰显以及偏于“颓废”的美感特征。在小说叙事上 ,她们的创作都带有“反文化”色彩 :丁玲早期创作中男女主人公性别角色倒错的现象 ,已初步构成对传统社会性别格局的反讽 ;陈染的“黛二系列”则有着更为鲜明、强烈的文化颠覆色彩。她们作品中对女性同性恋的书写 ,同样具有反文化秩序的意味。与此同时 ,丁玲和陈染的同类创作在不同时代问世后所面临的不无相近之处的文化际遇 ,也从一个特定角度昭示着她们的创作在现实社会中的“另类”性质。

Ding Ling's creation bore a cultural character as ' modern' in 1920s, and so is Chen Ran's in 1990s. Here the word 'modern' in Chinese means 'vogue' or 'fashionable' embodied in their works as we can find as strong self expression, free sexual love and a decadent aesthetic perception. (2) We have in Ding Ling's early works the author makes scoop the hero and the heroine over. This is an illustration of the traditional patterns of sexual distinction in irony. This anti cultural character is more conspicuously described by Chen Ran in her portraying of the Dai Er type Characters in her novels. The description of homosexuality of women in their works is also an intention to negate the existing cultural order. (3) Their works of the same kind coming out in different ages and meeting with more or less same fortune in their respective cultural reality had to be listed in the 'other kind'. (4) The rich cultural information laying in the creation of the female writers is worth probing.