论唐宋诗词中“雨”的审美意象群

On the Aethetic Images of Rain in Chinese Tang and Song Poetry

唐宋,是古典诗歌意象最为灿烂辉煌的时期。在唐宋诗词纷繁的意象中,让人涵咏不尽的是多姿多态的“雨”意象群。诗词创作中的“雨”意象,始终不脱离它作为客观物象固有的自然特征,同时,在反复运用和沿袭不衰的过程中,人们对它的审美感情和审美趣味长期积淀下来,使之固定地带有纤细绵柔、明丽清润、朦胧迷离、凄清冷寂、迅疾狂骤等审美特征。心物相契的“雨”意象具有生动的艺术表现力,诗人们用情感的链条将它与其他意象组合,构成具有内在生命的完整形象,用来烘染氛围、寓含象征、营造意境等,以追求一种特殊的艺术表达效果。

The Tang and Song Dynasties are the golden periods of classical poetic ima gery.The images of rain are the most unforgett able and colorful amid a myriad of ima ges in the Tang and Song poetry.They have always retained th e natural properties of rain,but at t he same time,through repetitive use,such images have bee n associated with gentleness,fresh ness,vagueness,loneliness and violence,containing vivid arti stic expression.Chinese poets have used the rain imagery to set a scene and convey symbolism so as to ac hieve a special artistic effect.