摘要
南北宋之间 ,由于时代的原因 ,词论家都主张复雅 ,但是 ,古人所说的雅正有两个方面的内容 ,一指风雅的反映现实的精神 ,这是雅正的合理内核 ,一指文艺为政治服务 ,往往造成政治对文艺的粗暴干预。北宋后期李清照的《词论》继承苏轼门下晁补之《评本朝乐章》的韵味观 ,对词提出了情致加典重的要求 ,代表了雅正的正确方向 ;南宋初阳居士的《复雅歌词序》则把文艺的政治作用强调过头了 ,对中唐至北宋的词作基本取否定态度 ;同时的王灼、胡仔等人转而继承晁补之、李清照的词学观 ,一方面强调雅正 ,另一方面坚持词的韵味 ,促进了词的发展。正由于有了李清照、王灼等人对苏轼、晁补之词学观的继承与发展 。
During the South and North Song Dynasties,influenced by the time,Ci Critics advocated to restore elegance.However it has two different connotations,one of which is to reflect the spirit of reality,which is the reasonable crux;another of which maintains that art and literature should serve the politics that results in rude interference of the latter with the former.The prosperity of Ci in the southern Song Dynasty comes from LI Qing zhao and WANG Zhuo's inheritance and development from Shi and CHAO Bu zhi's opinions of Ci.
出处
《安庆师范学院学报(社会科学版)》
2002年第1期6-10,共5页
Journal of Anqing Teachers College(Social Science Edition)