摘要
捷克作曲家德沃夏克的代表作《e小调 (自新大陆 )交响曲》中究竟表现什么音乐形象曾引起争论 ,但从作品具有总结性的第四乐章中可以看出 ,这部交响曲的主旨不在于对美国纽约都市情景的描绘 ,也不是“美国赞歌” ,而是作曲家对有色人种和受欺压民族人民的同情 ,是作曲家内心民族情感、民族精神的反映。
What on earth is the music figure in e minor symphony(From New World) , which is composed by Czechic composer , Dvorak, leads to some discussions. From its concluded movement Ⅳ, it suggests that this masterpiece does not describe the city of New York ,nor being the choral of America, but the mercy on the people who are color race or are oppressed, that is ,the mirror of composer's ethos in heart.
出处
《甘肃教育学院学报(社会科学版)》
2001年第4期69-71,共3页
Journal of Gansu Education College(Social Sciences)