赵孟頫相关研究二题

The Authenticity and Ages of The Seven-Character Poem in Running Script and The Red Mountains and Vast Ocean in scroll

本文拟探讨两件与赵孟頫相关作品的真伪和时代。其一,赵孟頫《行书五言诗》轴。此作功力、笔性虽与赵氏有一定差距,但本幅书法不乏精妙生动之处,所录诗句及笔法颇与明代书家金琮存世墨迹相类,故判断应为本款被割,冒充赵氏真迹欺世牟利的金琮手迹。其二,上海博物馆藏王蒙《丹山瀛海图》卷。笔者从该画所绘地理所指、王氏生平活动入手,并结合王蒙一生画风演变等线索,认为该画为王氏入明前归隐往来湖州、宁波期间,描绘四明山腹地——丹山赤水景象之佳构,应属王氏"归隐期"早中年代表作之一。

The thesis focuses on two pieces of artwork. One is titled Seven-Character Poem in Running Script(Xíng Shū Wǔ Yán Shī) in hanging scroll attributed to Zhao Mengfu in the collection of Xinxiang Museum, Henan Province, whose inscription is studied to be actually the manuscript of the Ming calligrapher Jin Cong by his typical style of elegant and delicate brushstrokes, the coherence and arrangement, manner and rhythm. The other is the ink painting named Red Mountains and Vast Ocean(Dān Shān Yíng Hǎi Tú) in scroll collected in Shanghai Museum, which pictures the red mountains and waters in the Siming Mountain valley. Judging from the landforms and artistic style as well as his life activities of that time, the painting is Wang Meng’s early work created at his middle age when he was living a secluded life in Huzhou and Ningbo.