《坛经》的动静观及文论意义

Concept of Movement and Motionless in Tan Jing and its Literature Theoretical Significance

《坛经》是中国禅宗的经典著作,其中佛教思想蕴含着惠能的动静观。在本体论方面,惠能从心性本体论出发,认为万物迁流变化,皆是虚妄,唯有真如本性虚空广大,恒常真实,但并非死寂,而是以"一即一切"的模式影响着外部世界;在工夫论方面,惠能以风吹云散的动态过程譬喻顿悟,反对自缚,提倡动静结合,追求"在染不染",显示出动静结合的特点。在古典文论方面,惠能的动静观与重视真情、虚静创作和动静结合的审美风格有相似之妙。

Tan Jing,is a classic writing of Chinese Zen,which shows Buddhist thought with concept of movement and motionless of Hui Neng.In the view of ontology,Hui Neng believes everything in the world keep changing and all of them are vanity,except human's nature.Human's nature,which influences the outer world by the pattern "everything is everything",spreads all over and always be true.In the view of the theory of cultivation,Hui Neng makes a comparison of insight to movement of wind and cloud.And he advocates the association of activity and inertia.In the aspect of classical literature theory,the concept of movement and motionless in Hui Neng is similar to aesthetic style of importance of true feelings,combination of nihility and reality and association of activity and inertia.