仇英《汉宫春晓图》与清院本比较研究

A Comparative Study of Qiu Ying's and Qing Dynasty's Paintings of Han Gong Chun Xiao Tu

由于仇英《汉宫春晓图》取得的社会影响和艺术成就,使得"汉宫春晓"在明清时期成为了一个颇为流行的画题,清代乾隆年间画院曾先后绘制了四本《汉宫春晓图》。文章从构图、设色、造型等方面将仇英《汉宫春晓图》和清院本进行比较分析,考证出清院本《汉宫春晓图》以"汉宫春晓"为题名,画面不仅表现仕女初春晨起的生活场景,更注重营造帝家威严的庄重氛围,从而展现出清院本《汉宫春晓图》独特的艺术成就和历史意义。

Qiu Ying's painting Han Gong Chun Xiao Tu (a classic painting reflecting the daily life of Han's royal palace on an early spring morning)brought about great social influence and artistic achievements,and the theme of the life scenes in Han's royal palace on early spring morning became popular in the paintings of the Ming and Qing Dynasty.During the reign of Emperor Qianlong in Qing Dynasty,the painting institute composed four copies of Hart Gong Chun Xiao Tu.The paper compares and analyzes Qiu Ying's painting work and the Qing's paintings in the aspects of composition,coloring and modeling,and proves that the Qing's versions titled Han Gong Chun Xiao,not only reveal the life scenes of the ladies on the early spring morning, but paid more attention to create the solemn atmosphere of the emperor's majesty.It concludedthat the Qing's versions are of unique artistic achievements and historical significance.