摘要
梁鸿以"梁庄"为中心构建了自己精神返乡的"文学场"。《梁光正的光》是继作者一系列"非虚构"作品之后的一部长篇小说,创作风格由非虚构的写实走向虚构与想象,作品通过叙述梁光正"知罪""忏悔""救赎"的个人历史,勾连起梁庄的当代史,完成了作者本人"由外向内",从对社会和时代的外在审视向人物内心的灵魂拷问的转化。在对梁光正的身份进行悖论式的审视后,拆解了当代历史的合法性,开拓了独属于梁鸿的文学空间。
Liang Hong builts her own "literary field"of spiritual return with "lianzhuang"as the center."Liang Guangzheng's Light"is a novel after the author's series of "non-fictional"works.The style of creation has-moved from non-fictional realism to fiction and imagination.According to Liang Guangzheng's personal history of "guilty sin", "repentance"and "redemption",the contemporary history of Liang Zhuang .is linked to complete the transformation of the author's "outward to inward",that is,from the external examination of society and the times to the soul torture of the characters.Under the review of Liang Guangzheng's identity paradox,the works dismantled the legitimacy of contemporary history and opened up the literary space that belongs exclusively to Lianghong.
出处
《写作》
2018年第6期18-23,共6页
Writing
关键词
《梁光正的光》
知罪
忏悔
救赎
返乡
"Liang Guang'zheng's Light"
Knowledge
Confession
Redemption
Return home.