摘要
新时期伊始,中国电影界通过对文学性的解构,体现出电影意识的觉醒和对电影现代语言的本体追求。但是,随着中国电影产业的高速发展,IP风靡,文学作者或电影编剧等跨行成为导演等一系列新创作现象的出现,中国电影的文学性被注入新的内涵,由此得以重构和回归。
In the beginning of the reform and opening-up,there happened an awakening consciousness and a pursuit for film ontology in the Chinese filmdom through the deconstruction of literariness.However,with the rapid development of China's film industry,there emerged a series of new phenomena of filmmaking,such as the popularity of IP and the cross-field directors who were the novelist or screenwriter.As a result,the literariness of Chinese film has been reconstructed by injecting new connotation.
出处
《电影艺术》
CSSCI
北大核心
2018年第6期34-39,共6页
Film Art
关键词
文学性
IP
跨界导演
literariness
IP
cross-field directors