改革开放以来中国电影文学性的解构与重构

The Deconstruction and Reconstruction of Chinese Film's Literariness Since The Reform and Opening-up

新时期伊始,中国电影界通过对文学性的解构,体现出电影意识的觉醒和对电影现代语言的本体追求。但是,随着中国电影产业的高速发展,IP风靡,文学作者或电影编剧等跨行成为导演等一系列新创作现象的出现,中国电影的文学性被注入新的内涵,由此得以重构和回归。

In the beginning of the reform and opening-up,there happened an awakening consciousness and a pursuit for film ontology in the Chinese filmdom through the deconstruction of literariness.However,with the rapid development of China's film industry,there emerged a series of new phenomena of filmmaking,such as the popularity of IP and the cross-field directors who were the novelist or screenwriter.As a result,the literariness of Chinese film has been reconstructed by injecting new connotation.