《江湖儿女》:情义之辨与奇迹叙事

Ash Is Purest White: The Choice Between Sentiment and Righteousness and the Miracle Narration

在《江湖儿女》之前,贾樟柯对现代化进程中人的情感已是不再信任。在《江湖儿女》中,他进一步表达了对人与人之间情感的不信任:江湖中男人的情感只是为利,而女人则取江湖之义。在《江湖儿女》中,"奇迹"叙事一直存在,延续了《三峡好人》的传统。

Before Ash Is Purest White,Jia had no trust in the feelings of people in the process of modernization.In Ash Is Purest White, he further expressed his distrust of the interpersonal emotions:the feelings of men in the underworld are only for profit,while women pursue the righteousness.In Ash Is Purest White,the miracle narration has always existed,continuing the tradition of Jia's film Still Life.