从塔可夫斯基到萨金采夫——“新浪潮”后的俄罗斯诗电影

From Tarkovsky to Zvyagintsev: Russian Poetic Film after New Wave

虽然俄罗斯电影植根于"苏联电影学派",但是至从安德烈·塔科夫斯基跨入苏联电影史的大门,就注定了一种新电影的兴起,他所构筑的诗电影美学成为苏联"新浪潮"以来俄罗斯电影最为世人所瞩目的焦点,也成为当代俄罗斯电影最显著的创作传统。本文着重分析苏联"新浪潮"("解冻"以后)以来以安德烈·塔可夫斯基电影为代表的苏联诗电影,归纳其发展脉络,以便更好地理解以安德烈·萨金采夫为代表的现代俄罗斯作者电影的发展状况。

Russian cinema was based on Soviet Film School, but when Andrey Tarkovsky appeared on the horizon of Soviet film history, new movie came into being, and the aesthetics of poetic film, that he founded, has been the focus of world attention from period of New Wave in Russian cinema(from "ottepel" to nowadays), and also as the most dazzling Russian film tradition. For understanding the situation of development of modern Russian author movie made by Andrey Zvyangintsev and the others, this article takes attention to analysis of Soviet poetical films by Andrey Tarkovsky and other directors and makes a introduction of development venation of SovietRussian poetic film from time of New Wave to now.