摘要
在"十七年"的文化语境中,电影演员的等级化和权力分配在国家和历史话语的建构下逐渐形成,而处于单位制度等级结构顶端,并在"表演场域"权力竞争中占有政治、文化等资本的演员,最终以制度"神圣化"确认了明星身份。本文以新中国"22大明星"为研究对象,从表演机制和制度机制两个维度阐释国家和历史话语建构下不同于好莱坞商业运作的"十七年"明星生成机制。
In the cultural context of China’s 17-years(1949-1966), the gradation and power distribution of film actors gradually took shape under the construction of national and historical discourse. Actors, who were at the top of the hierarchical structure and occupied the political and cultural power in the competition with other actors, finally became the top movie star. Based on the research of the top 22 movie stars in China’s 17-years, this paper interprets the production mechanism of socialist movie stars, which is different from the Hollywood business system.
出处
《电影艺术》
CSSCI
北大核心
2018年第6期139-147,共9页
Film Art
基金
西北师范大学2014年度青年教师科研能力提升计划骨干项目(SKGG14023)阶段性成果
关键词
22大明星
政策等级结构
制度化神圣
the top 22 movie stars
policy
hierarchical structure
institutionalize