异质维度、男性欲望与现代性阐释——“发迹变泰”文化母题下的“朱买臣休妻”

Heterogeneous Dimensions, Male Desire and the Interpretation of Modernity: “Zhu Maichen Divorcing his Wife” and the Cultural Motif of “A Sudden Upturn in Life”

自汉代始,直至元明清三朝,两千余年来"朱买臣休妻"这一故事敷演出的戏曲文学作品蔚为大观。在中国戏曲"发迹变泰"文化母题的叙事疆域内,"朱买臣休妻"突破了男性主体的惯有模式,将叙事聚焦于更具丰沛信息量和审美涵摄的女性角色上,提供了主角置换的异质审美维度;同时,男性权利在场的欲望匮乏也催生了"神圣化"与"妖魔化"的女性宿命。及至当代,在现代性的语义场内,梨园戏《朱买臣(残本)》在烟火人生的游弋腾挪里,疏离了男性主体建构的虚伪,摒弃了悲愤叙事的残酷,还原了生活的温度,流溢出了点滴中国传统人文的敦厚和温润。在接受美学的视域内,闽南泉州的地域人文也参与了文本的艺术形塑,实现了现代阐释空间内的文化解码,延续了该剧跌宕两千余年的隐秘的能量场。

From the Han Dynasty to the Yuan, Ming and Qing Dynasties, "Zhu Maichen Divorcing his Wife"had been the main plot in copious operatic works for more than two thousand years. The plot of "Zhu Maichen Divorcing his Wife" in traditional Chinese opera breaks through the mode of male subjectivity in the narrative territory that features the cultural motif of " a sudden upturn in life". It focuses on the female character with abundant information and aesthetic appreciation, and provides a heterogeneous aesthetic dimension of interchanged protagonists. Meanwhile, the deficiency of male desire in the presence of rights incurs the female destiny between "enshrinement" and "demonization". In modern times, in the semantic field of modernity, the Liyuan Opera Zhu Maichen( a remnant version), acted in mundane life, has been detached from the pretense of male subjectivity construction and the cruelty of the resentful narrative. The warmth of life being restored,this play shines with the Chinese traditional values of sincerity and gentleness. In the perspective of reception theory, the regional humanities of Quanzhou, southern Fujian Province, also participated in the shaping of the aesthetics of the script, completing the cultural decoding in the modern interpretative space, extending the twothousand-year-old hidden energy field of the script.