框架中的“舞者”——深圳罗湖区“双周发布”新闻实践的场域理论分析

The“Dancer”in the Framework——A Field Theory Analysis on the Journalistic Practice of “Bi-weekly Annoucement Conference” in Luohu, Shenzhen

业界普遍认为,“场域理论”是当代著名社会学家布迪厄全部社会学理论的核心,因其动态分析与权衡论述符合当今媒介生态变迁态势而受到学界的广泛关注。本文试图运用“场域理论”中“惯习”“资本”“场域”核心三要素,以深圳市罗湖区“双周发布”新闻实践为个案,剖析罗湖区新闻实践的内部场域和外部场域特征及其相互勾连,其中,内部场域包括其自身创新惯习、经济资本、文化资本,外部场域则主要体现在毗邻香港的特殊地理位置和广东特殊的媒介生态体系。分析可见,罗湖区的新闻实践在国家意识形态的框架下,不是一味对上级行政管理文件的机械执行,而是一位善于整合和渗透地方各钟资本力量的“舞者”,体现了地方新闻实践与全国乃至国际新闻场域的力量与互动。

The academia generally believes that "Pield Theory" is the core of all the sociological theories of the famous sociologist Bourdieu,and it is widely received by the academic circles Because of its dynamic analysis and weighing thinking.This paper attempts to use the three elements of "Habitus","Capital"and "Field" in the theory to analyze the journalistic practice of "Bi-weeklyAnnoucement Conference" in Luohu , Shenzhen ,including the characteristics of its internality,externality and their interconnections.The internality includes its own innovative habitus,economic capital and cultural capital.The externality is mainly reflected in Luohu's special geographical location adjacent to Hong Kong and the special media ecosystem in Guangdong.The analysis shows that under the framework of our ideology,the journalistic practice in Luohu is not a copycat of theadministrative documents,but a "dancer"whois good at integrating and infiltrating various local capital forces. It embodies the power and interaction between local journalistic practices and national and international journalistic fields.