摘要
王国锋是一位将社会性与观念性相结合的艺术家。他之所以近来引起关注,就在于他所创作的巨幅全景彩色摄影作品,即呈现的是20世纪全球社会主义意识形态下的主流文化象征--奇异壮观的大型政治建筑,以及最近对朝鲜一些大型政治活动场景的持续拍摄。他从2004年至今先后拍摄了中国、前苏联、东欧的前社会主义国家、以及朝鲜的社会主义典型建筑,追溯和探讨这种建筑谱系的相似性和差异性。客观再现了这些建筑在形式上如同雕塑一样充满着模式化的政治说教,并浓缩了和体现了前社会主义政治制度下的“集体无意识”。
Wang Guofeng integrates sociality with ideology.He has aroused great attention recently because of his large scale colored panorama photography works.These works reflect the mainstream cultural symbol impacted by the global socialist ideology of the 20th century magnificent large scale political architecture as well as the continuous photography of the scenes of some large-scale political events of North Korea He has shot the typical socialist architectures of China, former Soviet Union,North Korea and other former socialist countries in East Europe successively,and analyzed the similarities and differences of this type of architectural system since 2004.
出处
《东方艺术》
2018年第19期78-89,共12页
Oriental Art
