摘要
赵树理是一个真正从农民中间走出的中国现当代作家,他亲自参加过农业生产劳动,对农民的生产、生活与情感都感同身受,深刻理解农民的需求与愿望。赵树理把农具写进作品,形成了独特的农具文学意象。在赵树理的作品中,农具意象参与了形象塑造,并隐含着一种价值倾向,显现了手工农具与集体劳动之间的疏离。赵树理对农民与农村的想象来自于自己的生活与工作经历,他笔下的农村画面更鲜明、农民形象更真实,让农村题材小说真正下延到农村形而下的生活之上,使农村题材小说立于更为坚实的大地之上。
Zhao Shuli was a modern and contemporary Chinese writer who really came out of the farmers. He personally participated in agricultural production and labor,and had a deep understanding of farmers’ needs and aspirations. He wrote agricultural implements into his works and formed a unique image of farming tools. In his works,the image of farm tools participates in the image shaping,and implies a value tendency,showing the alienation between manual farm implements and collective labor.Zhao’s imagination of the farmers and the countryside comes from his own life and work experience. His pictures of the countryside are more distinct and the images of the farmers are more real,so that the rural theme novels really extend to the life of the countryside,and make the rural theme novels stand on a more solid land.
作者
张文诺
ZHANG Wen-nuo(School of Humanities,Shangluo University,Shangluo 726000,Shaanxi,China)
出处
《学术探索》
2018年第12期127-134,共8页
Academic Exploration
基金
陕西省社会科学基金项目(2017J009)
陕西省教育厅重点项目(18JZ020)