摘要
"合唱"作为一种音乐表现形式,于19世纪晚期传入中国,以其极为广泛的参与性和丰富的音乐性受到国人的推崇,并作为一种具有普遍传播力的艺术形式被迅速接纳和扩散。由于参与感强、对所选曲目的要求相对灵活,因此越来越多地作用于少数民族民间音乐领域,成为了深受少数民族人民喜爱的音乐表现形式。文章在廓清少数民族民间音乐传承与发展现状的基础上,对合唱这一音乐表现形式参与少数民族民间音乐传承和发展的必要性和可行性进行探讨,并就合唱形式如何促进少数民族民间音乐传承与发展提出了具体的设想。
In the late 19th century, the "chorus" this music form accompanied by strong western capitalist culture of east gradually introduced to China, with its extremely wide participation and rich musical admired by americans, as a kind of the common forms of art to be accepted and spread quickly. Due to strong engagement, the purpose of choosing what requirements are relatively flexible, therefore more and more role in national minority folk music, has become a popular minority people's favorite music form.Based on the indexes of minority folk music, on the basis of inheritance and development status of the music form of chorus to participate in national minority folk music the possibility and feasibility of inheritance and development of a discussion, and in the form of a chorus of actuating minority folk music heritage and development countermeasure and the way of the specific ideas.
作者
马安平
MA An-ping(Henan Polytechnic University,Conservatory of Music,Jiaozuo,Henan 454000,China)
出处
《贵州民族研究》
CSSCI
北大核心
2018年第10期58-61,共4页
Guizhou Ethnic Studies
关键词
少数民族民间音乐
合唱艺术
传承
对策
ethnic minorities music
Chorus art
Inheritance
countermeasures