摘要
文章运用查找文献、对比、视觉文化理论中的身体与权力的视角等方法对论题进行论述。通过对开罗博物馆馆藏中"三个跳舞的小矮人"这件作品的简单介绍、形态描述来进行作品的形态和身份分析。这件象牙艺术作品的形象取材于现实生活,和当时埃及社会与外族人民的关系有着紧密联系。此雕塑品不仅体现了埃及人的宗教观念,是永生世界与现实世界连接的载体,还是具有实用性的人俑和玩具,不仅供墓主人取乐,同时也替代墓主人劳作。
In this paper, literature search, comparison, visual culture theory in the perspective of the body and power were used to explore the subject. Through the brief introduction and morphological description of the Three Dancing Dwarfs ivory sculpture in the Cairo Museum, the artistic form and identity of this artwork have been studied. The image of Three Dancing Dwarfs, an ivory art piece, was based on real life and was closely related to the relationship between ancient Egyptian society and foreign people. This sculpture not only reflected the Egyptian religious concept, but also the carrier of the connection of the eternal death world and the real world. It was also a practical ivory figure of man and a toy entertaining the tomb owner and working hard for the tomb master.
出处
《民族艺林》
2018年第4期91-98,共8页
Journal of Ethnic Art
关键词
“三个跳舞的小矮人”
形态
身份
古埃及
宗教观念
Three Dancing Dwarfs
artistic characteristics
identity of the artwork
function and significance
religious concept of the ancient Egyptian