摘要
作为学院派导演的代表人物,曹保平近年来佳作不断,从反映农村政治生态的早期作品《光荣的愤怒》到关注中国传统家庭观念的《狗十三》,再到尝试融合了爱情和犯罪元素的《李米的猜想》,以及近年来的《烈日灼心》和《追凶者也》。严谨而成熟的剧作、精妙而宽阔的叙事角度与视野以及在当代社会语境下对叙事策略的探索与创新,都使其电影美学观念愈发独立而成熟。同时其作品中对于电影商业和艺术属性的兼顾,尤其是对犯罪片的成功尝试与探索,也进一步丰富了学院派导演的创作,提升了中国电影的艺术品相与文化品质。
As a representative of the academic director,Cao Baoping has been doing a good job in recent years,from the early works presenting the rural political ecology,Glorious Fury to Dog XIII,which focuses on the traditional Chinese family concept,and then attempts to integrate the elements of love and crime.Li Mi's Conjecture,and in recent years,he has contributed to four heroes of The Sun of the Heart and The Chaser,a rigorous and mature drama,a subtle and broad narrative perspective and vision in contemporary society.The exploration and innovation of narrative strategy in the context made the concept of film aesthetics more independent and mature.At the same time,the combination of film commercial and artistic attributes, especially the successful attempt and exploration of crime films,was further enriched.The creation of the director of the school has enhanced the artistic and cultural qualities of the Chinese films.
出处
《民族艺林》
2018年第4期120-129,共10页
Journal of Ethnic Art
关键词
新生代
语境
文艺片
叙事策略
new generation
context
literary film
narrative strategy